The Conjuring: Rise of the Nun is a chilling, atmospheric return to one of the franchise’s most iconic and terrifying figures. This harrowing prequel digs deeper into the twisted history of Valak, peeling back layers of darkness to reveal an origin story steeped in ancient evil, forbidden rituals, and the kind of dread that lingers long after the credits roll.
The film opens with a stark and unsettling portrayal of Romania’s remote countryside — fog-drenched forests, crumbling stone paths, and the isolated abbey that stands as the cradle of Valak’s power. From the moment Sister Irene arrives, the air feels heavy with secrets. Taissa Farmiga delivers one of her most compelling performances yet, embodying Irene with a balance of vulnerability, determination, and spiritual strength. Her presence grounds the film, anchoring the supernatural terror with raw human emotion.
What begins as a routine investigation for the Vatican quickly spirals into something far more sinister. Strange whispers echo through the abbey halls; shadows shift where no light should fall; faces appear in the dark only to vanish before clarity can catch them. Director Michael Chaves uses silence, tension, and tight framing to create a suffocating sense of unease — every scene feels like a breath held too long.
The true horror intensifies when Irene uncovers ancient manuscripts detailing the first appearance of Valak — a demon born not from hellfire, but from a catastrophic betrayal woven into the fabric of the abbey. Bonnie Aarons returns as Valak with chilling precision, her presence even more malevolent than before. Each of her appearances hits with brutal effectiveness: subtle at first, then terrifyingly overpowering as the demon grows stronger.
As Irene digs deeper, she crosses paths with a group of strangers trapped by the abbey’s curse, including a tortured priest whose faith is nearly broken. These survivors form an uneasy alliance as they attempt to escape the tightening grip of Valak’s power. Their desperation, paired with growing paranoia, creates a claustrophobic tension that fuels the film’s relentless pacing.
Just when the narrative seems consumed by Irene’s struggle, the film cuts to the Warrens. Vera Farmiga and Patrick Wilson’s return feels both comforting and ominous — their calm professionalism contrasting the escalating chaos. The Warrens’ subplot connects the abbey’s ancient evil to the larger Conjuring mythology, revealing chilling revelations about Valak’s long-term intentions. Lorraine’s visions become a haunting bridge between past and present, hinting that Valak’s influence runs deeper into their lives than they ever feared.
The film masterfully weaves these two timelines together, building toward a spine-chilling convergence where Irene’s past battle directly feeds into the Warrens’ future encounters. The revelation linking Irene and Lorraine — subtly implied but powerfully delivered — adds emotional weight and transforms the story into something more than a simple origin tale. It becomes a generational confrontation with evil.
In its final act, Rise of the Nun unleashes a relentless barrage of terror. Collapsing catacombs, twisted apparitions, unholy rituals — each moment pushes the characters to their limits. Irene’s climactic showdown with Valak is both haunting and heroic, showcasing her resilience in the face of overwhelming darkness. The conclusion leaves just enough ambiguity to remind audiences that evil never dies — it only waits.
Visually, the film is stunning in its bleakness. Gothic architecture, candlelit corridors, and storm-lashed exteriors create a haunting canvas that amplifies every scream and whisper. The score, echoing with choral dread, feels like the ghostly heartbeat of the abbey itself.
The Conjuring: Rise of the Nun succeeds as both a gripping standalone horror story and a vital expansion of the Conjuring universe. It deepens Valak’s mythology, strengthens the emotional ties between key characters, and delivers an unyielding stream of scares that elevate it above typical genre fare.
Terrifying, tragic, and richly atmospheric, this film reveals the true evil behind the habit — and leaves audiences with one final truth: some demons aren’t born. They’re awakened.